{"id":526,"date":"2014-12-27T19:15:22","date_gmt":"2014-12-27T19:15:22","guid":{"rendered":"http:\/\/nitatandon.net\/cv-2\/"},"modified":"2021-04-17T14:48:04","modified_gmt":"2021-04-17T12:48:04","slug":"cv","status":"publish","type":"page","link":"https:\/\/nitatandon.net\/en\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"<h1><strong>Nita Tandon<\/strong><\/h1>\n<p>1959\u00a0born in Ajmer\/India, lives and works in Vienna\/Austria<\/p>\n<p>1975\u20131978 studied English literature at Delhi University<\/p>\n<p>1979\u20131980\u00a0studied art history at Vienna University<\/p>\n<p>1980\u20131986 studied painting, class<br \/>\nof Maria Lassnig at the University of Applied Arts Vienna<\/p>\n<p>1997\u20132010 assistant professor at the University of Applied Arts Vienna<\/p>\n<p>2010 member of the TransArts directorial team, University of Applied Arts Vienna<br \/>\nNita Tandon has translated and copy-edited numerous art-related publications and texts for various renowned art institutions and magazines in Austria and abroad.<\/p>\n<h2><strong>Selected exhibitions<\/strong><\/h2>\n<p>2020<br \/>\nABSTRAKT. geometrie + konzept | Museum Moderner Kunst Klagenfurt, A<\/p>\n<p>2017<br \/>\nFragile Narratives | Kuratiert von Klaus Speidel | MemphisMemphis | Linz, A<\/p>\n<p>2016<br \/>\nBildBilder | with Daniel Wisser | Nestroyhof Wien<\/p>\n<p>2015<br \/>\nDissonance, Transgressed Boundaries between Desire and Fear, Percept Art, Mumbai<\/p>\n<p>2014<br \/>\nDimensions of the Surface, Ambra, Vienna (cat.)<br \/>\n<a href=\"http:\/\/www.parnass.at\/buecher-rezensionen\/nita-tandon\">Book review at Parnass<\/a><\/p>\n<p>2013<br \/>\nArtists in Multifunctions, Lalit Kala<br \/>\nAkademi, National Academy of Fine Art, New Delhi<\/p>\n<p>2012<br \/>\nReverse Engineering, das weisse haus, Vienna<\/p>\n<p>2011<br \/>\nFingerprint \u2013 Die R\u00fcckseite der Vorder-seite, Schauraum, University of Applied Arts Vienna at MQ, Quartier 21, Vienna (S)<br \/>\nQuadratur des Kabinetts, with Sabine Ott, Fluc, Vienna<\/p>\n<p>2010<br \/>\n(No) Relation, Galerie Raum mit Licht, Vienna<br \/>\nSkulptur (with G. Tagwerker, M. Kienzer, R. Split), Galerie Lisi H\u00e4mmerle, Bregenz<br \/>\nEin Moment mit Plinque und G\u00e4sten, MQ, Quartier 21, Vienna (cat.)<\/p>\n<p>2009<br \/>\nThird Woman, collaborative project, Kunsthalle Project Space, Vienna<br \/>\n2nd Thessaloniki Biennale of Contemporary Art, e-MobiLArt, Thessaloniki<br \/>\nGemalter Raum, Collegium Hungaricum, Vienna<\/p>\n<p>2008<br \/>\nPictorial Space, curated by Pia Jardi, Tatransk\u00e1 Gal\u00e9ria, Poprad;<br \/>\nAustrijski kulturni forum, Beograd;<br \/>\nNap\u00f3leon-H\u00e1z, Gy\u0151r (cat.)<br \/>\nMit eigenen Augen, Heiligenkreuzerhof, Vienna (cat.)<\/p>\n<p>2007<br \/>\nNorth-West by South-East, National Gallery, Skopje (cat.)<\/p>\n<p>2006<br \/>\n\u2018It looks like \u2026 \u2019, a project of the artists group SERUM at the Vienna Art Fair<\/p>\n<p>2005<br \/>\nVarious public art competitions in Vienna, RAMSAR-Zentrum Schrems and Oberalm, Salzburg<\/p>\n<p>2004<br \/>\nThe Jetty, special exhibition of Art Bodensee by the artists group SERUM<\/p>\n<p>2003<br \/>\nFiat Lux, Galerie Thoman, Innsbruck<br \/>\nGalerie Sechzig, together with Rini<br \/>\nTandon, Feldkirch<\/p>\n<p>2002<br \/>\nMega: Manifeste der Anma\u00dfung, K\u00fcnstlerhaus, Vienna<br \/>\nUnter Freiem Himmel, Schloss Ambras and Galerie Thoman, Innsbruck (cat.)<\/p>\n<p>2001<br \/>\nUnter Freiem Himmel, Sculpture in Schlosspark Ambras, Innsbruck<\/p>\n<p>2000<br \/>\nWest-\u00f6stlicher Divan, Museum auf Abruf, Vienna<br \/>\nWorks in Space, Essl Museum, Klosterneuburg<br \/>\nAbstraktion in \u00d6sterreich, Frauen Bad, Baden<\/p>\n<p>1998<br \/>\nCompression, curated with Simon Wachsmuth, Schallautzerstrasse, Vienna<br \/>\nDie Spitze des Eisbergs, Messepalast, Vienna<\/p>\n<p>1997<br \/>\nConjunction, curated with Gerold Tagwerker, Schallautzerstrasse, Vienna<br \/>\nSponsoring Guruplant, Museum of Applied Arts, Vienna<\/p>\n<p>1996<br \/>\nHinter: Sinnig, Galerie Eugen Lendl, Graz<\/p>\n<p>1995<br \/>\nNita Tandon, Villa Allerart, Bludenz (S)<br \/>\nIlse Haider, Suse Krawagna, Nita Tandon, Galerie Academia, Salzburg<\/p>\n<p>1994<br \/>\nNita Tandon, Secession, Vienna (S) (cat.)<br \/>\nGalerie Steinek, Vienna (S)<br \/>\nLokalzeit: Wiener Material im Spiegel des Unbehagens, Kunstraum Strohal,<br \/>\nVienna; Moderna Galerija Ljubljana (cat.)<\/p>\n<p>1993<br \/>\nFirst Prize R\u00f6merquelle Graphic Competition<br \/>\nSpiel ohne Grenzen, with Alfred Graf, Gallery No. 5, Budapest (S)<\/p>\n<p>1992<br \/>\nAustrian State Scholarship for Fine Arts<br \/>\nNita Tandon, Ringgalerie, Salzburger Kunstverein\/K\u00fcnstlerhaus Salzburg (S)<br \/>\n\u2026 and we did it once for five weeks \u2026, Galerie Steinek, Vienna<br \/>\nGalerie Sergio Tossi, Prato (S)<\/p>\n<p>1991<br \/>\nReich: Weite, K\u00e4rntner Landesgalerie, Klagenfurt (cat.)<br \/>\nBildlicht: Malerei zwischen Materialit\u00e4t und Immaterialit\u00e4t, Museum des<br \/>\n20. Jahrhunderts, Vienna (cat.)<br \/>\nWall Works, La Fabbrica di Seta,<br \/>\nPieve a Presciano (S) (cat.)<\/p>\n<p>1990<br \/>\nRaum Annehmen III, Galerie Grita Insam, Vienna<\/p>\n<p>1989<br \/>\nBeton, Galerie Altn\u00f6der, Salzburg<br \/>\nMuseum des 21. Jhdts., Vienna (cat.)<br \/>\nNita Tandon, Galerie Grita Insam,<br \/>\nVienna (S) (cat.)<br \/>\nJunge Szene Wien, Secession, Vienna (cat.)<\/p>\n<p>1988<br \/>\nBeton, Galerie Grita Insam, Vienna (cat.)<br \/>\nLeipzig-Warschau-Wien-Berlin, K\u00fcnstlerwerkstatt im Bahnhof Westend, Berlin (cat.)<\/p>\n<p>1987<br \/>\nTheseus Tempel (with H. Durstm\u00fcller, H. Hoffmann), Vienna (cat.)<\/p>\n<p>(S) solo show<br \/>\n(cat.) catalogue<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nita Tandon 1959\u00a0born in Ajmer\/India, lives and works in Vienna\/Austria 1975\u20131978 studied English literature at Delhi University 1979\u20131980\u00a0studied art history [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-526","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/nitatandon.net\/en\/wp-json\/wp\/v2\/pages\/526","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nitatandon.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nitatandon.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nitatandon.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nitatandon.net\/en\/wp-json\/wp\/v2\/comments?post=526"}],"version-history":[{"count":103,"href":"https:\/\/nitatandon.net\/en\/wp-json\/wp\/v2\/pages\/526\/revisions"}],"predecessor-version":[{"id":4485,"href":"https:\/\/nitatandon.net\/en\/wp-json\/wp\/v2\/pages\/526\/revisions\/4485"}],"wp:attachment":[{"href":"https:\/\/nitatandon.net\/en\/wp-json\/wp\/v2\/media?parent=526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}